Tuesday 29 May 2012

Flo Rida - Wild Ones (feat. Sia)

Wild Ones is the latest release from Miami-based rapper Flo Rida. This one seems to have been knocking around the UK Top 40 for a long while now and, with one listen to it, it is not exactly tricky to see why. WWE wrestling fans will be familiar with Flo Rida for his recent performance at Wrestlemania 28, as well as the songs of his that were heavily used for promotion leading up to the event. Others, perhaps sadly, will remember/know of him simply because of the diabolical reworking he did of the Dead Or Alive classic, You Spin Me Round back in 2009. For those of us who have forgiven him for this Jeffrey Dahmer-equaling monstrosity, his latest works, Good Feeling and now this, are well worth the time of day.

The track kicks off with the chorus. This can sometimes be a risky move in a song. Fortunately however, the chorus to this song happens to be tremendous, and immediately lets the listener know that this tune is well worth their attention. Featuring the vocals of Aussie vocalist, Sia, the chorus is instantly memorable, catchy, heartfelt and, perhaps even beautiful. This initial chorus in thirty seconds long, and in all honesty, the song itself could have ended there and it would still have had the Youtube generation flocking to their computer screens to search for, and then listen to it again.

In reality though, the song (of course) continues beyond this point. The verses then kick in and, in terms of vocals, exclusively feature Flo Rida himself. The beat turns into a more dancey (if that's even a word?) kind of beat, yet still follow the same chord progression as the chorus. For fans of rap, Flo Rida's vocal work during the verses is tremendous and highly enjoyable. However, even non-fans of rap will continue listening, safe in the knowledge that that brilliant, melodic chorus is just around the corner once again. Essentially, whether you like, or even appreciate the busting of rhymes (as I believe it's called in the hood), this song will have something for you and keep you listening until the very end.

Overall then, this song has terrific crossover appeal and will inevitably be enjoyed by most music fans. It is tempting to laud immense praise upon it for being far better than Flo Rida's 2009 effort, Right Round. However, since even the Jonestown mass suicide of 1977 was better than that particular offering, that is not saying much! In all seriousness though, Flo Rida; well played sir.

Worth a listen? Most certainly.

Verdict: 9/10


Monday 28 May 2012

Artists. Help Me And Help Yourselves!

If you're an artist and want a press release or print ad written by me and featured on my blog then get in touch. Once written, you will also be able to use it yourself however you see fit (adding to press kits etc.)

For the time being I'm offering this service for a mere £10.00, so if you've got ten crisp Sterling knocking about then I'm all ears.

Happy listening.


Talcum X

Wednesday 23 May 2012

Katy Perry - Part Of Me

Part Of Me is the latest single from US pop sensation Katy Perry. Most of us cannot help but have a soft spot for this California songstress. Whether it be as a result of the music itself or the fact that she's not exactly an aesthetically displeasing creature, it would only be a terminally embittered specimen with a heart of stone who would have nothing positive to say about her at all. As well as being beautiful, her songs Teenage Dream, Hot 'n' Cold and Firework have rightfully become smash hits in recent times. Best of all, she writes her own stuff. Overall, what is there not to like about her?

Her latest single is, predictably enough an energetic, hook-filled stormer. To note the lyrics, one cannot help but feel as though this is the modern version of I Will Survive. Although Perry herself strenuously denies that this song is a reaction to the failure of her marriage to Russell Brand, this is still a fantastic breakup anthem. Newly-single women across the globe will listen to this track and go, "Hell yeah, I'm with you sister!". With lyrics such as "You can keep the diamond ring, I never liked them anyway, in fact, you can keep everything except for me", nobody could accuse this song of being devoid of meaning or intent.

As for the tune itself, it may not be as catchy as the aforementioned Teenage Dream, but it certainly makes up for it in terms of its energy and its sentiment. Part Of Me is vintage Perry. It is fast, fun, "sit up and listen" pop for the 21st century. This latest offering seems to be irrefutable proof that, at this point in time, the I Kissed A Girl superstar can do no wrong.

Overall though, this song is a tricky one to sum up. When listening to it, one cannot help but feel that it is not quite as good as Teenage Dream or Firework. However, it is only moments after the song ends that the listener realises that the song is now stuck in their heads and they are sub-consciously humming it to themselves. With few exceptions, any song that can achieve this is an undisputed winner.

Worth a listen? Oh yes!

Verdict: 8/10






Saturday 19 May 2012

Artists in need of press: Read on!


If you're an artist and want a press release or print ad written by me and featured on my blog then get in touch. Once written, you will also be able to use it yourself however you see fit (adding to press kits etc.)

For the time being I'm offering this service for a mere £10.00, so if you've got ten crisp Sterling knocking about then I'm all ears.

Happy listening.


Talcum X 

Justin Bieber - Boyfriend

It is difficult to think of anyone in the entire history of entertainment who has divided public opinion so much. The consensus on Justin Bieber is split between those who adore him, and those who could happily watch him being tortured and not feel a flicker of sympathetic emotion. For many of us, Bieber's one quality seems to be that he is an incredibly good looking young man and that is it. It's all style, not an ounce of substance. Unfortunately though, female children are an impressionable, easily pleased bunch, and many of them also have parents who are only too willing to keep them happy through the medium of their wallets. As long as this remains the case, it seems that the Bieber bandwagon will continue to surge, while the rest of us roll our eyes and grind our teeth down to the gums.

As for his latest "song", Boyfriend the first thing to note is the video. It is just as irksome as one might expect. It essentially features Bieber sitting in expensive cars and dancing around with beautiful women, all the while with a heavily undeserved smile of accomplishment on his face. Any Bieber hater watching this will almost get the impression that the video was deliberately designed to annoy them. It seems to include everything that fans of musical talent and actual, general worthiness hate about him. Furthermore, his repeated smug glances towards the camera only make things worse. Visually then, Bieber's latest single is a spectacular miss. The list of things that would be more pleasant to watch than this is virtually endless. The public disemboweling of a loved one for instance.

So what of the song itself? It's typical Bieber really. Yes the chorus has a hook, but it's more the hook that the woman in the Texas Chainsaw Massacre gets hanged on by Leatherface rather than a hook in the sense of being a good song. The verses are impossibly bland (never mind though. That means less to distract the listener from watching that fantastic video). It is difficult to find any redeeming features in this song, other than that after three minutes and thirty-one seconds, it does end.

Overall then, if you are female and still of an age where Gary Glitter would find you sexually attractive then this is for you. However, for everybody else, stay well away.

Worth a listen? For the most part, good lord no!

Verdict: 1.8/10

Friday 18 May 2012

Bonjour Artistes!

If you're an artist and want a press release or print ad written by me and featured on my blog then get in touch. Once written, you will also be able to use it yourself however you see fit (adding to press kits etc.)

For the time being I'm offering this service for a mere £10.00, so if you've got ten crisp Sterling knocking about then I'm all ears.

Happy listening.


Talcum X.

Thursday 17 May 2012

Calvin Harris - Let's Go (feat. Ne-Yo)

If there's one thing we can always count on Calvin Harris for then it is an instantly recognisable dance track. The 28 year-old from Dumfries, who once interrupted Jedward during a "live" X factor performance (though, sadly, not with the malicious intent that many of us would have hoped for) has come on leaps and bounds in recent times. He has scored massive hits with Dance Wiv Me, The Girls, and Feel So Close to name a few. His latest offering, Let's Go (feat. Ne-Yo) just about lives up to the now very high expectations.

Unlike many of Harris' previous releases, Let's Go is unlikely to hold much in the way of crossover appeal. This is an out and out dance track with a pounding beat, techno to spare and so suited to the nightclub that it almost creates its own strobe lighting. As a dance number, this is a great effort. Fans of the genre will be bouncing up and down to this all night long. Ne-Yo's vocals compliment the beat nicely and the chorus is distinct, yet not overstated. It has to be said though that non-dance fans will find little enjoyment here. Nobody will hate this song as such, but many are likely to find it fairly forgettable and nothing particularly special.

All in all, your enjoyment of this tune will rather depend on your taste in music, and indeed what kind of person you become when in a nightclub. If you are the type of individual who likes to dance, neck Tequila shots and snog endless strangers of the opposite sex then this is for you. However, if you're the sort who buys a drink, stands around awkwardly and then skulks off to the smoking area whilst desperately trying not to draw attention to yourself then it's probably best to find something else to listen to.

Worth a listen? Very much so, but as far as Mr Harris' collaborations with rappers go, this is a weaker offering than his 2008 effort with Dizzee Rascal.

Verdict: 7/10


Hello Artists!

If you're an artist and want a press release or print ad written by me and featured on my blog then get in touch. Once written, you will also be able to use it yourself however you see fit (adding to press kits etc.)

For the time being I'm offering this service for a mere £10.00, so if you've got ten crisp Sterling knocking about then I'm all ears.

Happy listening.


Talcum X.

Wednesday 16 May 2012

Rihanna - Where Have Your Been


As a writer, it is very difficult to find anything to say about Rihanna that hasn’t been said already. Whether you love her or hate her, nearly everybody has an opinion on her. For better or for worse, it is often not the music itself that attracts attention to her, and controversy tends to follow her around like an overly-enthusiastic car salesman. Perhaps this is just part of the parcel when you happen to be one of the biggest pop stars in the world. So what of her latest offering, Where Have You Been?

Well to kick off, nobody can speak of a new Rihanna single without mentioning the video. Comparatively, this one is pretty dry. Don’t get me wrong, she still wears so few clothes in it that any responsible mother would warn her that she’d catch her death if she didn’t wrap up more warmly. However, that aside, it’s fairly uncontroversial. There are no whips or chains and at no point is she tied up, beaten or even abused. Instead, the video starts with her crawling out of a swamp like a hippo on an intense mission (a very aesthetically pleasing hippo at that though). From there, proceedings pretty much degenerate into a perplexing tribal dance routine and a few minutes later the song is over. As videos go it is not bad, but with a Rihanna video you can’t help but want for something that will enrage grumpy Daily Mail readers within the content, and this is sadly lacking here.

As for the song itself it is another of Rihanna’s dance numbers. It is listenable enough but doesn’t really contain any noteworthy hooks or “sit up and listen” moments. It is also quite difficult to make out a clear-cut chorus in this number too, which for a pop song tends to be something of a cardinal sin. In this case, the song doesn’t suffer much from the absence of a big chorus, but one would have been nice nevertheless.

Overall this song is not one of Rihanna’s best. ‘Where Have You Been?’ never threatens the prior brilliance of Disturbia or Russian Roulette, but in my view is certainly a better effort than the ultimately unbearable Umbrella. It is one of those songs that the casual listener is unlikely to remember, but not one that anyone will be banging their head against a brick wall to try and forget.

Worth a listen? I’d say yes, but don’t expect it to blow you away.

Verdict: 6.5/10

Artists! ACHTUNG!

If you're an artist and want a press release or print ad written by me and featured on my blog then get in touch. Once written, you will also be able to use it yourself however you see fit (adding to press kits etc.)

For the time being I'm offering this service for a mere £10.00, so if you've got ten crisp Sterling knocking about then I'm all ears.

Happy listening.

Talcum X

Sunday 13 May 2012

fun. - We Are Young (feat. Janelle Monae)

We Are Young is the first single off American Indie Pop Band Fun's second studio album Some Nights. It is one of the only power ballads one is likely to hear that doesn't produce connotations of huge hair and comically unnecessary fist pumping in the listener's mind. This track has largely only come into the public consciousness thanks to its placement on the TV show Glee. How ironic it is that a TV show so bad that it's almost as morally reprehensible as the Nazi regime was what led most of us to this near-flawless tune.

The song starts of at a fairly quick tempo, creating an "Oh here we go, another unimpressive modern indie offering" type of feeling. However, at 0:49 the track suddenly slows down and launches into the anthemic monster that has seen it become a worldwide smash hit. The lyrics to the chorus are simple, but resonate so well with the spirit and romance of youth. They ring true to anyone currently in their teens and create a wonderful sense of nostalgia for anyone older. This song easily has one of the best and most evocative choruses written by a proper band in an all too long while.

The verses are thoughtful, melodic and meaningful too. However, the chorus is so massive that they could have  afforded to replace the verses with the sound of a fat guy farting and this song would still be a hit (I've no idea why this would ever have occurred but I protest the point is still a valid one).

All in all this is one of the best new songs I've heard in ages and I can't believe this song is the first time I've heard of this band. However, if they have any more singles of this caliber up their collective sleeves then it certainly won't be the last we hear of them. Not by a long shot.

Worth a listen? Too bloody right it is.

Verdict: 8.5/10